"Enter Figaro, The Barber Of Seville, in easygoing black with white shoes, his hat pulled deep into his face, taking the stage for himself and not giving it up again. It is his world, his opera. He pulls the strings. He directs the fate. And Richard Morrison does this with such a born coolness and elegance that this in itself makes it worthwhile to travel to Mainz to see his Barber Of Seville. His baritone flies supply through Rossini's part, effervescent and playful, but always precise."  

Frankfurter Rundschau

"Onto the stage burns Figaro - Richard Morrison - sparkling his fireworks with his usual success.  And he does this so well that you have to laugh even when you feel you shouldn't any more."  

Frankfurter Allgemeine Zeitung

" … Richard Morrison possesses an extraordinary ability to play roles, therefore he is able to build the tension beneath the facade of the weak bureaucrat Albert, bringing it to an aggressive explosion at exactly the right point."

Frankfurter Allgemeine Zeitung

" … in particular Richard Morrison in the title role who, in his seductive Serenade to Donna Elvira's maid, delivered a brilliant show of subtle, artistic shading."

Darmstädter Echo

Wiesbadener Kurier

"Giorgio Germont ... with a voice of profound stature: Richard Morrison"

Frankfurter Rundschau

"Richard Morrison lent the Father Germont a soothing, noble baritone"

Wiesbadener Kurier

"With his smooth timbred voice Richard Morrison inhabits the dual world of tenor-baritone that Debussy intended for Pelléas."

Frankfurter Allgemeine Zeitung

"Richard Morrison gives his Pelléas as a youthful baritone with beguiling melodiousness"

Mannheimer Morgen

"Richard Morrison portrayed in his vocal interpretation of Enrico the full extent of the conflict within the character."

Opernwelt

"The exception here, making his company debut, was Richard Morrison's excellent Count Robinson, homing unerringly in to the wrong girl. Here is a Figaro in the making … the baritone is well-placed and flexible and he carries himself well."

Opera Magazine 

"Richard Morrison, as the suave Count Robinson, made a more than promising debut"

The Independent